The Forehand Volley:
A Visual Comparison
by Dave Smith
Successful volleys are a combination of efficient mechanics,
combined with a relaxed sense of focused movement. |
Last month, I wrote on the similarities of the
backhand volley mechanics among top players including
Rafter, Sampras and Hewitt. In discussing
these similarities, I presented reasons why these champions use certain
methods and why all players should explore these methods for
themselves.
Here, I will break down the core elements that most
skilled players utilize in the production of successful forehand volleys
through the same use of visual comparisons of top players.
Essentially the forehand volley is a “mirrored
image” of the backhand volley. While there are a couple of key components
that differ, each stroke's components mimic the other on many levels.
Grip
As most books and pros will attest, skilled players use the Continental
grip for almost all their volleys.
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Continental Grip |
Eastern Forehand Grip |
Although, in some cases, skilled players will attack certain volleys
with a slight Eastern forehand grip. These usually include higher volleys
or swinging topspin volleys. However, almost all top players exclusively
use a Continental grip for low volleys and especially for angle volleys.
There are a number of top players who do indeed use
the Eastern forehand grip for mid-range volleys. However, these players
usually still utilize a similar swing pattern as those who use the
continental. (That is, they use a short, slicing drive as opposed to the
typical upward stroke most beginners use.)
Since the topspin volleys that pros hit utilize the same basic swing
pattern as a topspin groundstroke, we will only be addressing the more
conventional blocking-type or short-stroke volley here in this article.
Players who learn to volley using the Eastern grip
for their forehand volley inevitably hit their volleys with topspin. This
is even more evident on quick volleys when reaction time is limited. This
occurs because the natural swing pattern that players associate with the
Eastern grip is topspin. After all, the Eastern forehand grip is considered the foundation
grip for topspin groundstrokes, not underspin slice strokes.
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Bounces: Learn to bounce kneeling down to
simulate the forehand volley |
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Up bounces: Keep the racquet parallel to the arm
and at a right-angle to the forearm |
I have seen hundreds of players who know they should slice the volley,
hit with topspin because of this natural swing pattern the Eastern grip
produces.
The Continental grip keeps the racquet parallel with the forearm while
the Eastern Grip creates nearly a 90 degree relationship to the forearm.
One big issue for many beginners and intermediate players who are trying
to learn the Continental grip is comfort.
The Continental generally feels weak - a major reason
so many books and pros promote the Eastern grip to beginners…it feels more
comfortable to most beginner players. However, it is far better to
experience some discomfort now than the incapacitating discomfort of
trying to change an established Eastern forehand grip! Here are a couple
tools for you to quickly gain comfort and control of the racquet while
holding the Continental grip.
Two important drills I use to help students gain comfort and control
using the continental grip involve bouncing tennis balls off the racquet.
Start by holding the racquet with the Continental grip. Now try to bounce about 100 consecutive bounces,
both off the ground and off the racquet in the air as shown on the right.
This will build the fine
muscle control of the hand and forearm as well as develop an affinity for
the Continental grip. (These drills also help decrease the chance of
"tennis elbow" as both are low-impact drills that warm up the small muscle
groups that are prone to irritating minor injuries.)
When bouncing the ball down on the court, kneel down so the racquet and the arm can
remain almost parallel. Many instructors recommend standing up while doing
these bounces. However, standing almost forces players to use an Eastern
grip!
With the Continental grip, the racquet plane is parallel to the
forearm. |
On up bounces, (do these standing up), keep the racquet and arm
parallel as well, and keep the racquet elbow straight. This drill
facilitates the development of a proper volley while also
developing a level of comfort using the continental grip.
On the issue of strength, if a player feels weak while hitting volleys, it
is usually a good sign they are doing something wrong mechanically.
Strength has nothing to do with it! In seminars and
clinics, I demonstrate both the forehand and backhand volley while holding
the racquet using only my index finger and thumb.
As a result of seeing crisp, deep volleys using
only these two fingers, students begin to recognize that strength is not
the issue when hitting volleys.
(Certainly for hard hit balls and balls
that require you to reach, there is an element of strength necessary to control the racquet. However, even in these instances, a good volley rarely
needs the kind of strength players sometimes imagine.)
Using the Continental grip, the turn of the shoulders sets the face
of the racquet towards the target. |
First Move
As with the backhand,
the first move
is the shoulder turn. Usually, the forehand volley turn is slightly less
than that which is necessary for a proper backhand. This is because of the
arm and shoulder position on the two strokes. On the forehand, the
dominant arm and shoulder is back in comparison to the center point of the
body
On the backhand, these two body parts are in front of
the player's center point. Some pros advise students to take the racquet
back to the side first. However, this sequence causes many to over swing.
The reason is simple: if you take the racquet back to the side first, then
turn the shoulders, the racquet will be pointing towards the back fence.
(Note how Sampras turns his shoulders but his racquet face remains square
to the ball, not pointing back towards the fence. Over rotating the
backswing is perhaps the most prevalent mistake made by players on both
the forehand and backhand volleys.)
Using the Continental grip, the turn of the shoulders sets the face of
the racquet towards the target.
First Move:
Key Position Points
- Racquet head remains up
- Racquet
remains parallel with the forearm
- Lleft arm contributes to the
shoulder turn.
Forehand volleys include the crossover step demonstrated here. Note
the sideways body position in hitting a crosscourt angle |
Step
With volleys, when there is time to set up the feet, the left leg will
step across the body facilitating the sideways position (right-handed
players). This is a
critical factor in directing the shot without pushing. As with the
backhand volley, the ability to stroke the volley towards the target
depends on the body’s ability to hit while sideways to the target. If you
watch skilled players angle the volley crosscourt, they will actually
align their bodies so that they are facing away from the target during
contact.
Skilled
players can often be seen actually stepping out with what I call the
“wrong foot”. (Right foot for right-handed players.) The issue is that
skilled players have developed the proper shoulder position regardless of
which foot they step with. Beginners to intermediate players often step
out with this wrong foot without executing the shoulder turn. This results
in the player pushing the volley away from the body instead of the arm
moving across the body.
Patrick Rafter hits mid to high forehand volleys with a slight
Eastern forehand grip. However, notice the contact point just off his
front leg. |
Contact
As with the backhand volley, the forehand volley is hit almost parallel
with the front knee. This can vary from player to player, however. For
example, players who do hit using a slight Eastern forehand grip will tend
to push out their hand in front of them when attacking a short floater. It
is important that players learn to move their feet and body to attack
balls instead of simply leaning and reaching forward. This is a common
problem for many and it tends to make players hit the ball flat and down
into the net.
Again, as with the backhand, most forehand volleys are hit with a
slight slicing motion. The amount of slice can vary due to situations and
desired effect. Some players will flatten out a volley with just a minimal
amount of slice (usually on high volleys).
On lower volleys, players will usually add a greater amount of slice to
the ball so they can hit it firmly and still keep it in the court. The
action of slicing the ball will help maintain the angle of racquet face during
contact. Without the slicing action, players often hit down too much,
volleying a ball that is high above the net into the net.
For most volleys, skilled players apply a slight cut or slice at
contact. |
Key Position Points: Unlike the backhand where the player should
try to keep the hitting arm straight, the arm on a forehand volley should
be slightly bent. Attempting to keep the eyes parallel with the ball
height at contact is often helpful because it helps players stay down during
contact (obviously, this will be impossible to accomplish for low balls).
Finish
Pros use a decidedly longer finish than I recommend
for most beginners or high intermediate players. For beginners or
intermediate players, a long follow-through is often preceded by too big
of a backswing and this leads to a bigger swing than they can control.
I recommend holding the finish momentarily. This allows a player to
check the racquet’s position in relation to the arm and body, as well as
the racquet’s face after contact. (If the player is rolling the racquet or
hitting topspin, this will be revealed by a closed racquet face after
contact.) This "freezing" of the racquet at or near contact is a great cue
to prevent overswinging.
Notice how the pros finish their volleys in the
ProStrokes Gallery. Not
one finishes with the racquet head rolling over the ball. Some will
slide further under the ball for their finish, (See Rafter's volley
above), yet none finish with the racquet face closing. Even a flat volley,
such as the one McEnroe hits (see animation below) is struck without the
racquet changing its plane through the course of the volley.
Occasionally, a player will hit a flat volley. Notice how McEnroe
keeps the racquet firm and square with a decidedly short backswing |
Back Leg
A common problem, especially for beginners, is the
positioning of the back leg back during the forehand volley. Often,
players will thrust their hand out to hit the volley instead of moving
their feet to the ball. This forward movement of the hand and arm usually
causes the player to be out in front of their center of gravity. Thus, the
player has to quickly swing their leg around to help prevent him from
falling on his face! This rotation of the hips and back leg causes
players to open up too early.
Top players can actually be seen kicking this back
leg back slightly (See McEnroe's volley) or simply dragging the back foot
for a moment during contact. (See Sampras below.) These two moves, similar
to what the back foot/leg does on a good serve, is very apparent among
skilled players.
Conclusion
Successful forehand volleys are those that can be hit with regularity
to a variety of targets from a variety of positions.
Players who execute volleys using the Continental grip usually progress
to higher advanced stages of play due to their ability to hit with greater
variety, especially low volleys and angle volleys.
Notice how Pete holds his follow-through for a brief moment. Beginners
to top players can benefit from this. |
Eastern grips are often used, even by the pros. Yet, it is clear that
almost all skilled players will hit the majority of their volleys using
the Continental grip. More importantly, in players looking to develop a
skilled volley, the use of the Eastern grips may delay or even prohibit
this acquisition of a quality volley. Even when skilled players used the
Eastern forehand grip to volley, the emphasis is a slice like pattern.
Once the volley grip and short stroke are mastered, players must
utilize their feet to maximize the position and body relationship to the
ball.
Finally, you will see a variety of forehand volleys among even top
players. However, if you look closely, you will identify these core elements
even within the diversity and idiosyncrasies among the many highly skilled
performers.
Your comments are welcome. Let us know what you think about this article by emailing
us here at TennisONE.
David W. Smith is the Director of Tennis for the St. George Tennis Academy
in St. George Utah. He has been a featured writer in USPTA’s magazine
ADDvantage in addition to having over 50 published articles in various
publications. David has taught over 3000 players including many top
national and world ranked players. He can be reached at ACRpres1@msn.com |