TennisOne Lessons
Reference Points: The Art of Self-Coaching
by Monty Basnyat
During a match, have you ever found yourself in a state of
frustration and anger because your favorite shot, you know, that forehand
drive you hit so well in practice, has completely deserted you? And it
keeps getting worse, so that your blood rushes all the way
up to your head making you so tense you can barely move your feet at all.
As competitive tennis players, I think we’ve all experienced this feeling
at one point or another. The only difference is, the better players don’t
reach this boiling point as often because they have a better understanding
of their own games. They know how to regulate themselves.
After years of suffering and frustration both as a competitive player as
well as a teacher, I may have found a solution. It started one day when I
happened to glance at an article written by Peter Burwash, where he talks
about getting back to your basics when your stroke leaves you - he called
it, “check points.”
I was so fascinated; I started my own list as an experiment. And I am
telling you it works; both at the pro level and for the weekend warrior.
All it takes is a little bit of patience and discipline. Call them what
you want, “check points,” “reference points” or “getting back to basics,”
no competitive club or tournament player should go on the court without an
understanding of their own reference point list.
What is Self-coaching?
Self–coaching is the ability to figure out what is going
right or wrong on the court during a particular match. Why a stroke breaks
down and how to make the necessary adjustments to get back that feeling of
smoothness and confidence when it does.
Let’s face it, everyone’s stroke breaks down at times, even on the pro
level. The difference is, pros know how to right themselves. Most club
players get frustrated because they don’t understand what’s causing the
breakdown. All they know is that it’s 2 all in the third set and once
again their serve has suddenly taken a trip to Mexico leaving them holding
the loot.
Lindsay’s serve reference point – “make sure to push up with the
left leg.” |
So one minute you’re pounding out smooth, deep
groundstrokes from corner to corner and the next you’re like a beginner
playing with a wooden racquet, clumsy, lead footed, and without a clue in
the world.
What you do next will often determine the outcome of a match and the
enjoyment of your experience on the court in general.
What you must understand is that when your stroke leaves you, it’s usually
the same one or two problems that keep popping up over and over again. The
secret is to become aware of what your problem areas are and put a routine
in place to repair them, even during a pressure filled match.
Even top pros like Lindsey Davenport, who possesses one of the biggest
serves on the WTA tour, has a reference point that she refers to when not
serving well.
Due to an injury to her left foot, she looses rhythm on her serve because
she either forgets or is unable to push up with that foot. This left foot
push off is the beginning of a kinetic chain that allows her to crank out
110 mph serves on a consistent basis. It’s the reference point she refers
to when she needs to quickly right her serve.
A more traditional racquet set up without out a loop works best for
Pam |
Developing Reference Points
No one knows your game better than your do, unless you are
among the fortunate who can retain a full time coach. And how often do you
see that at the club level?
And even if you have that luxury, your coach can only prepare you to play, he won’t be available when you need him most – during a pressure
filled match. Then it’s just you and the ball and that annoying opponent
who keeps making you play that extra shot.
The only person you can depend on is yourself. The sooner you understand
this and start becoming more self-reliant, the quicker you will begin
playing better tennis on a consistent basis.
The best place to develop your reference points is on the practice courts.
Work on a stroke that has been giving you trouble. Keep practicing while
making make minor tweaks to see if you can develop the feel for
consistency, power, or accuracy that you’ve been looking for.
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Under stress, the racquet head creeps up as
though Pam is about to slice (right), this throws off the timing on
her forehand drive. Eliminating the loop and “Racquet down” reference
point enables Pam to hit her killer forehand. |
It may take
two or three days of practice time before you reach enlightenment but when
you do, try to memorize that feel. Think about what you are doing and why
you are hitting the ball so well. Then, take a moment and jot it down.
Case in Point 1 - Pam
Pam is a ferocious competitor at the 3.5 level and an avid tournament and
league participant. Pam refers to “Racquet down,” as her reference point
when her forehand abandons her. Her set up is the cause. On her drive, Pam likes to take her racquet
back the traditional way - no loop. Under stress she gets confused between
her drive set up (straight back) and her slice set up (racquet head up)
and as a result doesn’t get under the ball enough. When that
happens, she tends to dump the ball into the net.
Her reference point is usually enough to straighten her
out. Without it, she would often grope in the dark hunting for an answer.
More often than not, the result would be anger and frustration rather than
any positive outcome.
When One is Not Enough
Many players have more than one reference point for a
stroke. One reference point may help them get more power while another may
help them get more depth or spin. The best way to figure out which
reference point to use first is through trial and error.
Let’s say you have 3
reference points on your backhand. During practice, when your balls begin falling short, take an orderly
approach. If your first reference point doesn't fix the problem, move on
to the second or third. Remember when your stroke abandons you, the
cause is almost always the same. Use the reference points you’ve worked
on in practice and that smooth feeling stroke will most likely return.
Two eyes on the ball, Third eye on the target. |
Write it Down
Everyone has different reference points. Write yours down using a one or
two word description as a reminder. It’s not beneficial for you to write
two paragraphs describing your reference point. When someone reads your
points, it does not need to make sense to them as long as it makes sense
to you. Stay positive with your points, don’t start the sentence with
don’t or can’t.
Case in Point 2 - Emilee
Emilee is a 13 year old nationally ranked junior.
When her backhand isn't working, she refers to one of the following
reference points to get it back:
- Two eyes on the ball, Third eye on target
- Shoulder tag
- Contact closer to the body
It may not make sense to you, but for Emilee, it makes a world of
difference. By focusing on one of the three points, she is usually able to
reestablish her rhythm and timing.
Let’s look at one of Emilee’s points.
Two eyes on the ball, Third eye on target
Under stress, Emilee feels hurried and takes her eye off the ball at
contact. She shifts her focus to where she is going to hit the ball or
where her opponent is positioned on the court. As a result, her contact
point shifts –she’s either too far out in front or too late. This leads to
loss of power, direction, and control. By whispering her reference point
to herself, “Two eyes on the ball, Third eye on target” Emilee is able to
focus on the ball, stay relaxed, and allow her third eye (which is her
brain) to figure out where her opponent may be positioned on the court.
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Eliminating the wrist” (right) keeps Heather from
shanking and chopping at the ball. |
Embedding Reference Points
Once you have your reference points down, the way to embed them into your game is through discipline. Keep a copy of your
points in your tennis bag and the next time your stroke goes awry, take a
quick peek during the change over. Do this
enough times, you will quickly internalize them and routinely begin using them.
Case in Point 3 -
Heather
Heather is a competitive junior player who likes to play
at the net. She has
decent volleys for a 12 year old girl, however, Heather has a tendency to
become to wristy which causes her to shank or spray her
volley's.
The problem occurs because she brings her racquet head up
too high, starting from her ear and finishing down around her ankle. It's this chopping
motion and the wrist action that causes her problems.
Heather's reference point is – “no wrist.” Referring to it reminds her to
smooth out her set up and stop bringing the racquet head up too high. When
she stops this, she quits using the wrist and starts hitting solid
volleys.
Case in Point 4 - Cole
Cole, a top collegiate player is an aggressive net rusher
like a Tim Henman or a Patrick Rafter. Under stress, Cole, tends to rush. He is in too much of a
hurry to get to the net and therefore forgets to time his split step. By
slowing down and timing the split, he tends to watch the ball as it
bounces up on the other side of the net and finds himself more balanced
and able to execute better volleys. He has two reference points to help
control this tendency.
When his opponent is grooved on the return, Cole changes his
strategy not his style by referring to one of his reference points –
“Mix it up.” |
- First serve percentage
- Slow down - Time splits
Reference Points - Change the Strategy Not the Style
Reference points can be used to maintain focus on your
overall game also. It can be especially effective when your execution is
off.
Lets take another look at Cole in a match situation I was watching.
During his first two service games Cole was slicing his
serve out wide to the deuce court and rushing the net. The purpose was to
pull his opponent’s momentum out wide leaving an open court for him to
volley into. An effective strategy that earned him a couple of round wins
in the tournament but this particular was reading his serve and returning
exceptionally well. So rather than abandoning his style of play, Cole used
his reference points to mak an adjustment.
- Mix it up
- No need to come in behind every serve
- Where is the returning leaning?
Cole changed his strategy by mixing up his serves a little
bit, slicing it into the body or placing it down the middle more. A few
times, he chose to come in behind the return as opposed to the serve.
This may sound simple but, during the heat of battle, many
players, under similar conditions will abandon their style of play and
camp out at the baseline. A style they are not really comfortable with.
Changing style is like an admission that you can't win so the alternative
is to hope your opponent loses.
Should you ever change your style during a match? Yes, but
only when you have exhausted all your tactics. In effect, you have thrown
the kitchen sink at your opponent and nothing is working. The match is
slipping away so it may be time to try something else, anything. But
barring this, do what you do best and let the chips fall where they may.
Your comments are welcome. Let us know what you think
about Monty Basnyat's article by emailing
us here at TennisONE.
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