

Jim Loehr Response:
I wanted to respond to some of Dr. Roland Carlstedt’s comments on the
16-Second Cure in his article: The 8 Greatest Myths of Tennis Pyschology (click
here to view Dr. Carlstedt’s article).
Throughout my career I have been open to comment and criticism from
other researchers and coaches. But most of what Dr.Carlstedt writes is
based either on misunderstandings or misrepresentations of what the 16
Second Cure really is, as well as how it was developed.
According to Dr. Carlstedt, the 16 Second Cure as an absolute,
regimented time frame that all players must follow “like robots.” Nothing
could be further from the truth. Ironically, I agree with his
pronouncement that: “Between point timeframes in tennis are widely
variable and must be ascertained on a case-by-case or player-by-player
basis.” This was the conclusion I reached in my own research, and I’ve
never argued otherwise!
Clearly players must develop their own pre-performance rituals between
points that reflect their unique psychological and physiological dynamics.
The “16 Second Cure” simply represents a starting place and was never
intended to be the final formula for anyone. As you’ll see in this series
of TennisONE articles, I recommend a 16 second minimum between points. But
often it’s better for players to take up to the full 25 seconds allowed
under the rules. Of course, there are always exceptions, for example in
the case he mentions of Steffi Graf who played at a faster rhythm than
most players, but nonetheless followed the stages in between point
behavior impeccably.
This is another problem with his critique. The heart of the 16 Second
Cure is not a rigid between point time frame, rather it is the way the
player spends this time to help maintain his Ideal Performance State. Dr.
Carlstedt never addresses the content, purpose, or effect of the 4 stages
of between point behavior.
His conclusion is “Don't be surprised if you don't win the next point even
after having followed your ideal timeframe routine.” But again, the point
is not to take arbitrary, robotic time intervals between points. The point
is to use this time to create and sustain mental toughness through
practice of the 4 stages.
Based on the feedback I’ve received from literally hundreds of top
coaches and players from throughout the world for nearly two decades, the
training guidelines that the 16 Second Cure provides have proven quite
useful in helping players improve their competitive skills.
Now let me address his claim regarding the lack of research supporting
this work.
My understanding of the importance and function of the between-point
time in competitive tennis came primarily from a multi-year research
project I designed in which EKG heart rate data was synchronized with
continuous video of match play.
Each match was charted for unforced errors, winners and consecutive
points won and lost. A computer program was written that correlated heart
rate data with match chart data and an ideal range of heart rate for each
player was calculated based on the computer analysis. Over 25 players
participated in the project, including male and female subjects, juniors
and adults, and professional and amateur players. Several of the
participants were highly ranked players on the ATP.
The project was conducted not for publication purposes but rather to
improve my understanding and effectiveness as a practitioner. The project,
although very time intensive and tedious, proved to be one of the most
valuable sources of insight into my work with players.
The data collected clearly revealed the importance of the between-point
time in terms of self-regulation (specifically heart rate regulation).
When players performed well, heart rate data showed a distinctive
oscillatory pattern – heart rates would rise during points and fall
between-points. Conversely, the more linear the cardiac output, the less
likely players would perform well, particularly at high or low heart rate
levels for them. When players became angry, frustrated, nervous or tanked
(gave up), cardiac output became increasingly linear.
Since between-point time can consume as much as 70% of total match
time, it seemed only logical that player patterns of thinking and acting
between-points could profoundly affect during-point performance. The heart
rate data supported this premise. During the next several years, I spent
hundreds of hours analyzing the between-point time of the world’s best and
poorest competitors.
My objective was to determine if there were commonalities in the way
top competitors managed this time dimension of match play. I was excited
at the prospect of building on-court mental training guidelines for
players that were based on the actual practices of top competitors. This
would be analogous to identifying the common elements in the games best
forehands and using that data to establish biomechanical guidelines.
The importance and value of pre-performance routines has been clearly
established in the literature over the past 15 years (Lobmeyer and
Wasserman, Boutcher, Moran, Crews, Feltz and Landers, and Amberry to
mention just a few). Moran defined a pre-performance routine as a
“sequence of task-relevant thoughts and actions which an athlete engages
in systematically prior to his or her performance of a specific sport
skill.” My objective was to (1) to bring attention to the mental training
value of the between-point time – when I first started introducing these
ideas in the mid-1980’s, virtually no attention was given by coaches or
players to the training between-points and (2) to provide specific
guidelines and suggestions for helping players to ritualize between-point
time based on data collected from top competitors.
In teaching the forehand drive to a new student, coaches must start
somewhere with grips, footwork, backswing, follow-through, etc. or the
student will become hopelessly confused with all the options. Exposing new
students to the full range of acceptable biomechanical possibilities would
be a learner’s nightmare.
The intent of the “16 Second Cure” training system was simply to give
players and coaches a place to start – a sequence of thinking and acting
that could be used to eventually build a highly individualized
pre-performance routine that works for that individual. If you want to
evaluate it’s effectiveness, you have to opportunity to do so in your own
match play and see if you have the same result as so many other
players—more enjoyment of the game and improved competitive results. |