The Match of a Lifetime: A Parable
by Dale F. Williams
from Florida, USA
When I was an adolescent, the best tennis player in the district was
named Jay. This is not to say that everyone who rose to the number one
ranking was renamed Jay (because, after all, what would be the point of
that?), but, rather, to indicate that one player – Jay – dominated the
sport in my region. In fact, the top tennis echelon consisted of Jay and
no one else. There was one very good reason for this.
Nobody beat Jay. Not ever, as far as I know.
I and numerous others made up the second tier of players, which is less
impressive than it sounds when one considers that west Michigan is to
tennis what college students are to sobriety. I mention my status only to
point out that, because Jay had to play someone, it was inevitable that he
and I would one day meet on the tennis court. This occurred one picture
perfect afternoon - warm, sunny, slight breeze - a seemingly ideal time to
challenge Jay’s status as unbeatable. Yes, I was one confident fool.
We met by the assigned court and shook hands, my first chance to see
him up close. He was tall, lean, and tan, with a mane of blond hair that
would stay in place through a nor’easter. I was short, skinny, and the
possessor of more cowlicks than a feeding trough. But I was cooler. OK, I
wasn’t, but my dog liked me better and would have even if he’d met
Jay.
I was reacting to everything, hitting shot after shot past him for
winners. Serves, groundstrokes, volleys - you name it, I could do
it.
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As we donned our gear and began warming up, hitting stiff shots with
little regard to their placement, I was thinking This is Jay? His shots
were easy to handle and not particularly accurate. Poco (the
aforementioned dog) can do more with a tennis ball than this guy! I guess
you could say I was less than thoroughly impressed with his game. Or maybe
I was overly impressed with my own. In any case, I carried a vat full of
confidence into the first set.
His prowess improved as the set began, but not enough. I was reacting
to everything, hitting shot after shot past him for winners, with nary a
thought that I might miss. Serves, groundstrokes, volleys - you name it, I
could do it. I was in the proverbial zone (which, until that day, I had
considered a myth. Like Bigfoot or Ohio). The ball was easy to hit and
totally submissive - a little brother wrapped in yellow felt.
By our third changeover, with me ahead 4-1, I took stock of just how
darn good I was. My backhand was unbelievable, my forehand good (it had
never been great, even when I was rolling). And my reservoir of stamina
was so full that I actually hurried back onto the court, so eager was I to
resume my thrashing of Jay.
I noticed a small crowd gathering beside the windscreens. Surely they
had come to watch Jay, but I was far too impressed with myself to let him
be Hawkeye to my Frank Burns.
"At the very least I’m Trapper!" I yelled. This, of course,
made no sense at all to anyone outside my own thoughts.
Jay and I split the next two games, as I hit some more amazing
backhands and passable forehands. The game I lost, however, was due to two
consecutive weak forehands that allowed Jay easy put-aways. The second of
these shots was so awkward I thought I heard people in the crowd laughing.
I glared in the general direction of the tittering, a fleeting glance just
long enough to look tough without actually risking a punch in the snout.
I desperately wanted to stop the match after the first
set,
solely for purposes of gloating.
During the next changeover, Jay remarked, "I don’t often see
players whose backhands are better than their forehands."
"There’s nothing wrong with my forehand," I insisted.
Whether or not Jay believed me, he did not change his style of play. He
fortunately hit me enough backhands to balance the numerous feeble
forehands I suffered while winning one of the pair of games. That gave me
the first set 6-3 and I desperately wanted to stop the match right then,
solely for purposes of gloating.
"Good playing," said Jay during the changeover between sets.
"When I want your opinion, I’ll ask for it," I answered.
Jay laughed comfortably, as if I were kidding.
Jay was tall, lean, and tan, with a mane of hair that
would stay in place through a nor’easter.
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I was on top of the world, having won a set from the great Jay with my
superb play and cunning. I could hardly get over how smart I was, how
effectively I was hiding that nasty hitch in my forehand from the best
player I would ever face. The secret, I figured, was my intense will to
win. Losing, after all, could send me into fits of yelling, object
tossing, lost sleep, and other behaviors found commonly among tennis
players and toddlers. All of that had been rendered unnecessary, however.
I had the game figured out.
The key was errors, as in don’t make any. Sure, that wasn’t an
attainable goal, but so what? The fewer mistakes I made, the more success
I would experience. What could be more logical?
Nobody beats Jay? Keep watching, I wanted to shout. I had a vision of
the future and saw curators of a tennis museum fussing over a statue of
me.
"Throw away those sculptures of Laver, Tilden, and Hoad," one
of them said. "The Williams is here." (This was before McEnroe
and Sampras; and Borg was still so young he was losing two to three
matches a year.) The inscription on my likeness would begin, "As a
youth, figured out how to beat Jay. From then on, conquering the world was
easy . . ."
I wondered if anyone had taken a set from Jay before. Later that day,
someone in the assembled crowd would tell me that plenty of others had.
But that’s getting ahead of the story. I was only to the second set.
Let’s see, how to describe set number two? Numerous adjectives come
to mind. There’s humiliating. And embarrassing, degrading,
frustrating,
and disastrous. Then the words that really tell the story: 6-0! I didn’t
die, but that’s about as silver as the lining gets.
I tried every conceivable means of propelling forehands back across the
net, including topspin, backspin, and even flipspin, a stroke I made up on
the spot. The first two worked a few times, offering false hope that was
quickly dashed when Jay’s deep and powerful shots again brought out the
wimpiest forehand since Aaron Burr slapped Alexander Hamilton with a silk
glove. The idea with flipspin was to hold the racquet vertically, then
move the strings completely around the ball during the course of the swing
(if that’s hard to picture, I wouldn’t worry, as it’s not a stroke
that’s likely to make anyone forget the Rafter volley). Sadly, albeit
unsurprisingly, the flipspin did not even get the ball to the net, much
less over it.
Other forehand attempts included pushing the racquet like an oar and
swinging it two-handed like a bat. I jumped up on one leg like a ballerina
and tapped the ball gently (I looked as if I were trying to swat a fly
without actually harming it). When those plans of attack failed, I began
ridiculously running around my forehand to hit more backhands.
With the first set safely tucked away, I could hardly get over how
effectively I was hiding that nasty hitch in my forehand.
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Please think about that for a moment. I was running around my
forehand.
Nobody runs around a forehand. It’s the easiest shot in tennis, every
player’s bread and butter. It’s the first stroke every youngster is
taught, for crying out loud! Any infant with a paddle can hit it! But
there I was, purposely removing it from my arsenal rather than continue my
clumsy prancing and patting. In keeping with my luck at the time, however,
all this new strategy really accomplished was to hinder both shots.
I thought about all those hours in my youth spent hitting tennis balls
against cement walls. How easy it was to strike punishing and accurate
forehands in the absence of a real opponent. Facing only the wall, I could
swing the racquet fiercely, striking the ball on the rise, blasting it
with an audible pop. My reflexes were primed, my confidence high, my shots
accurate, my game unrecognizable.
I remembered the warm up with Jay just an hour or so earlier. Those
shots had also left my racquet fluidly regardless of how I struck them.
If I can do it sometimes, I wondered, why can’t I do it now? I tried
pretending Jay wasn’t there, an attempt to return to my wall strokes of
old. This turned out to be an astonishingly stupid strategy when applied
to someone who was setting the pace of play and, not coincidentally,
dominating me like, um, like - oh never mind, I hate trying to think up
similes. There’s about as much chance of me drawing an apt parallel here
as there is of Anna Kournikova dropping by my house to borrow a cup of
Cheez Whiz.
In my desperation, I recalled Coach Floren from the first summer I took
lessons. What had he said to the class, that group of youngsters with no
real concerns beyond armpit noises and the relative merits of Batman and
the Green Hornet? Foot forward (actually it sounded more like fute fawd
through the clipped speech and Romanian accent with which he barked at
us), hit the ball, reach for the balloon. I never understood why the
follow-through was "reach for the balloon." Maybe it’s common
for inflatables to hover over tennis courts in Romania. Or maybe Floren
learned to play at a T.G.I.Friday’s. In any case, I tried the
instructions of the old coach the next time Jay knocked the ball to my
right side. I stepped my left foot forward, struck the ball, and followed
through high enough to graze that giant floating Garfield from the
Macy’s Thanksgiving Day Parade.
The resulting shot was perfect, rocketing by my opponent like good
writing past a journal reviewer.
The idea with flipspin was to hold the racquet vertically, then move
the strings completely around the ball during the course of the
swing.
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(Do I sound bitter? I’m not. Can I help it if the editors of JNOWAY–or
whatever the acronym is–wouldn’t know quality research if it slammed
into them like a Philippoussis serve?)
"Nice shot," said Jay, as he watched the ball nick the
sideline for a winner.
"Don’t be so condescending," I answered.
"Don’t you be so sensitive. I thought it was a good shot."
I finally had my forehand restored. It was simply a matter of returning
to basics, of discarding bad habits and relearning what I was naturally
programmed to do. I would have kissed my old coach right then and there
had I seen him.
Two missed shots later, I decided Floren was an idiot.
Why, you ask (or even if you didn’t), couldn’t I hit a normal
forehand? Was there something wrong with my arm? My noggin? My karma
(whatever that is)?
I don’t know, I don’t know, I don’t know, and I certainly don’t
know.
None of that really mattered at the time. What did was getting the ball
back over the net someway, somehow.
Between new forehand ideas, when I was left with the hitch, I pretended
to laugh off my errors, an attempt to mislead anyone who cared that this
most recent failure was caused by the moment, my opponent, the
constellation Orion – anything but the truth.
The crowd was no help during my humiliation. Those who reacted did so
with a mix of mockery and sympathy. Most fell into the latter group,
trying to encourage me with supportive and/or patronizing smiles. Then
came the dumb advice.
"Think about what you’re doing."
"Come on. Just hit the ball."
Gee, thanks guys. Why didn’t I think of that?
Near the end of the degradation that was the second set, I thought I
heard someone in the crowd hissing. That’s right–hissing. In the
‘70s! Come on, what was there to hiss about? I mean other than puka
shells. And shirts that read "I’m With Stupid." And that Clint
Holmes song I could never get out of my head (My name is Michael, I’ve
got a nickel . . .). OK, so there was plenty to hiss about. And had I been
watching, I might have joined in. My opponent was bouncing me around like
a cow on a bungee chord (I warned you about the simile thing). Jay was
better, simple as that. No external elements were hindering me. It was
one-against-one and I was losing. It was time to admit that I might not be
good enough, to take responsibility for my performance.
"The sun’s in my eyes," I explained to Jay during the next
changeover.
He glanced up at the sky. "It clouded up 15 minutes ago."
"Oh. Well, I – um . . . shut up."
Why, you ask, couldn’t I hit a normal forehand ,... I don’t know, I don’t know, I don’t know, and I certainly don’t
know.
"Your play’s dropped a little," he said, ignoring my
suggestion. "Want some advice?"
I nodded. I had certainly run out of ideas.
"You’re playing it too safe. Like you’re afraid to lose."
Technically, that’s not advice and, besides that, it sounded stupid.
First of all, I’m supposed to be afraid of losing. Otherwise I’d never
be a winner, right? Secondly, my problem wasn’t "playing it too
safe." It was a forehand that smelled like Mojave roadkill.
As I returned to the court, however, I began to wonder if maybe there
was a kernel of truth in Jay’s babbling. It was possible, after all,
that he hadn’t always been so good, that he’d had to learn to hit
those winners that were too frequently blasting past me. Perhaps, my
revelation continued, guys like Jay aren’t born 6’2" with the
confidence of a cat in a carpet-staining contest. If that was the case,
even the mighty Jay must have, once upon a time, regularly missed those
shots he now stroked without worry. Maybe he didn’t, as he said,
"play it safe," and instead developed a variety of tactics he
could employ to help conquer any opponent. I was on the other end of the
spectrum, with no plan beyond the next forehand (unless you count always
putting my underwear on the same way before each match). As a result, I
was faced with an opponent controlling every point and a forehand
controlling me.
I resumed play with a change in strategy that was, for once, a change
in strategy (as opposed to simply finding new means of deceit). I stopped
focusing on every forehand, then dying inside each time the ball sank
gently downward like a south Florida luxury car to the bottom of a
swimming pool. (You’ve heard of inside jokes? That was an inside simile.
So inside, in fact, I don’t completely understand it.)
For the first time in a set and a half, I was winning whole games
and the crowd appreciated my effort and competitiveness.
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In retrospect, I can see that my new attack was four-pronged: (1)
don’t flinch, (2) allow yourself to miss, (3) go for the shots you
really want to hit, and (4) lose.
Eight points into the third set, I was behind 2-0. Yet I continued on
my new track for a number of reasons. For one, I was tired of the
deception involved in conjuring novel forehands, which, by the way,
hadn’t fooled anyone and, in a related note, looked ridiculous. Besides,
the third set results were really no worse than before. I was simply
losing a new way, one that at least had some logic to it: I had been
devising tricks to avoid mistakes; take away the tricks, increase the
mistakes.
But the new way also increased the fun. I could stop obsessing over one
lonely feature of the game. Also amusing was the thought of Jay wondering
why the guy with the arrested forehand was playing so cocky.
The final, and perhaps most important reason for my newfound devotion
to risk taking was that confronting the feared forehand diminished its
spell over me. It was the cruelest irony I could imagine–that stupid
hitch did not start to dissipate until I stopped being so concerned with
whether it would.
You see, I did gradually develop a forehand that day. Not a spectacular
or even average one, not one consistently void of a hitch, but it was a
forehand. It was my forehand, something I could live with, like my short
stature, my cowlicks, my inability to write a decent simile.
Still, while I accepted the hitch, I did not have to like it. I
certainly would have never sprayed any sunshine its way. Then again, name
me anyone who admits to being a sun of a hitch.
(Sorry, but it’s been several paragraphs since I’ve written
something really dumb.)
During the third set, I did hit a few nice forehands. One, in fact,
completely eluded Jay’s outstretched racquet.
"Nice shot," he said.
"Thanks," I answered humbly.
Other points went my way as well. In fact, for the first time in a set
and a half, I was winning whole games. The crowd appreciated my effort and
improved competitiveness. I even heard claps and saw nods of appreciation.
One or two idiots laughed at some missed shots, but idiots laugh at
everything. They tell us to in the meetings.
Alas (a term of French derivation meaning "Am I pretentious or
what?"), my stamina was down a quart during that final set. Jay,
meanwhile, looked as fresh as a new simile. Though my play was internally
satisfying, my opponent was, unfortunately, competing on the outside.
By the time we finished the match, dark clouds were threatening the
sky. The court was quiet and the crowd gone. They had been curious how I
would fare, but all along even the idiots knew what the outcome would be.
After all, nobody beat Jay.
Dale F. Williams, Ph.D., CCC-SLP, is an associate professor of
Communication Disorders at Florida Atlantic University, where he serves as
Director of the Fluency Clinic. He is also a consultant with Language
Learning Intervention and Professional Speech Services, Inc. Dr. Williams
co-founded the Boca Raton chapter of the National Stuttering Association.
Recent honors include Specialty Recognition by ASHA SID4 and a promotion
to the top flight of the Boynton Beach Tennis Center's Thursday Night
Men's Singles League. However, due to poor performance evaluations (in the
form of 10-game pro sets), the latter distinction has since been
rescinded. |