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The Aggressive Margin and Your Game John Yandell Can the average player learn anything from match statistics? The answer is statistics can tell you things about your game you can’t learn any other way. Not all statistics are equally valuable. And it is more than possible to create statistical overload—just check out the websites of the Grand Slam events if you want to be buried in statistical information.
But focusing on the right statistics can reveal
exactly how and why you are winning or losing matches and what options you
may have for improving. If you are willing to face the truth, statistics
can open a whole new path to reaching your competitive goals. Let’s see
what statistics saw about a wide variety of matches below the pro level.
The first two articles in this series explained two
key statistics that are required to really understand match outcomes: the Forced
Error and the Aggressive Margin.
Ironically, these statistics are probably unfamiliar to most players,
since aren’t typically tracked either by television or official tour
match statistics. There is a glut of information—too bad it doesn’t
include these key numbers. So let’s review what they are and why they
are so important in understanding matches. A Forced Error is an error that stems from pressure
created by the other player’s ball. This is different from the more
familiar concept of the Unforced Error. An Unforced Error is a mistake
that a player makes on an easy or routine ball—the error stems from the
player’s inability to execute what should be a simple stroke or return.
A player generates a Forced Error through pace or location, or a combination of both, say for example, a deep, high velocity crosscourt forehand. The other player reaches the ball on the run and takes something resembling a normal swing, but is unable to control the ball and return it into the court. Even though the player had a chance to make a return, the error was “forced” by the opponent’s aggressive play. Forced Errors are critical statistics because they account for up to half or more of the points in most matches. Without Forced Errors, sometimes TV statistics don’t make sense. Sometimes a player with fewer Winners and/or more Unforced Errors still wins the match. The Aggressive MarginSo tracking Forced Errors is critical. Once we start
to track Forced Errors we can then combine them with the better known
stats of Winners and Unforced Errors to calculate the second key stat,
what is called the Aggressive Margin. The Aggressive Margin is the total of a player’s
Winners and Forced Errors minus his Unforced Errors. For example, let’s
say a player hits 10 Winners and generates another 10 Forced Errors.
That’s plus 20. Let’s say he makes 10 Unforced Errors, that’s –10.
Subtract the Unforced Errors from the Winners and Forced Errors (20-10 =
10.). That’s an Aggressive Margin of +10.
The Aggressive Margin gives us an instant
understanding of how a given match was really won or lost. It can be
calculated for an entire match and also on a set by set basis. The
Aggressive Margin can be a positive or a negative number. It shows whether
a player is playing positive tennis, or simply relying on his opponent to
make more errors than he. In the first two articles we saw how the Aggressive
Margin works in pro tennis and how it could take us inside the Sampras/Agassi
rivalry and explain why and how Pete squeaked out the 4-set win at the
2001 Open quarterfinal. As I wrote, that match was the highest quality pro
match I’d ever charted, in terms of the stats and pure shot making. Over
4 sets, Pete had an average Aggressive Margin of +24.25. Andre’s
Aggressive Margin was +21.25. That meant that over 4 sets, exactly 12
points separated these two great players. Over 75% of the total points were decided by pure shot making—and over a third of these points were Forced Errors. That’s about as close to perfect tennis as human beings can play. But what about the rest of us? Can we really expect to play with these kind of positive margins? The Aggressive Margin and the Club Player
Surprisingly, the answer can be yes! The Aggressive
Margin reflects the quality of the exchanges at the specific level of the
players involved. That’s what so great about it. The Aggressive Margin
is not an absolute. It’s a relative measure that reflects the quality of
the points and shotmaking between particular players at a particular level
in a particular match.
So let’s look at some numbers from matches at a
range of levels. Senior tournament tennis, and then class or NTRP matches
ranging from the 4.0 to 5.5 levels. Interestingly some of the highest level matches
I’ve ever charted have been in seniors’ tennis. The quality of the
shot making and the percentages of winners actually approaches the levels
of the best Sampras/Agassi matches, and exceeds that of the majority of
tour matches. It’s important to note I’m not saying these
players are BETTER than Pete and Andre. They are, obviously, not
generating the same levels of pace. But what the stats do show is that
these players are playing very high level statistical tennis. They are
playing within their own capabilities and using their shotmaking to set up
an execute winning points. For example, let’s examine the final of a men’s
45s tournament between two highly ranked national players, both of
whom played serve and volley style. Player A won the match in 3 close sets
with an average Aggressive Margin of +20/set. This was only slightly
better than player B, who had an Aggressive Margin of +17.5. What was especially interesting was that both players
were “positive” in literally every category of shot making—serves,
groundstrokes, and net play. This was a beautiful example of skilled
players playing their best tennis. Both executed their shots when they had
opportunities. Both were extremely parsimonious with their unforced
errors. It was true high percentage tennis. Here is the Aggressive Margin by shot over the match:
In reality the match was actually closer than the
Sampras/Agassi match at the 2001 Open. Only 2.5points per set separated
the players. Put another way, Player A won one more point every 4 games
than Player B! These players were experienced former college and
lower level pro players who were now competing in their forties. But what
about players closer to the average level of club tennis? Surprisingly, I’ve found that this basic principle
of positive percentage tennis seems to be virtually universal among
successful players at all level. Players who win at the 4.0 level and up
seem to put up positive Aggressive Margins. They understand their shot
making capabilities and use them to set up and execute winning point
patterns. This conclusion is based on a few dozen matches
I’ve charted over the years for players I knew, played with, or coached.
It would be very interesting to develop a large data base of match stats
for every rung on the NTRP ladder. What are the margins you need to be
successful at everything from 2.5 to 5.5 tennis? But the information we do
have all points in the same direction—winning players play positive
statistical tennis. I’ve found this to be true even for many players
that are commonly perceived as “pushers.” Yes, their consistency
forces opponents into multiple errors, but they combine this with just
enough judicious shot making of their own, and this is often the final
nail in the coffin in a given match. The final of a club 4.0 singles tournament is a good
case in point. Player A was the most feared “pusher” at the
club. A short guy, a runner, with funky strokes and no serve to speak of.
Player B had classic strokes, some real power off the ground, and a
seemingly good serve, with decent velocity. Player B charged into the final, where as Player A had had some long, difficult matches. But in the final Player A, destroyed player B 6-1, 6-3, and it wasn’t really that close. The Aggressive Margin by stroke tells the tale.
Note that Player A , was positive or even on every
stroke except his forehand. He combined this with some well-timed
net approaches where he was actually +8 for the match. For the match
he stayed in positive territory at +3 a set. Player B on the other hand destroyed himself off the
ground. This started when Player A floated almost every first serve
return in, giving away only 3 free points over 2 sets. So virtually
every point started as a groundstroke rally. In
attempting to counter the consistency of his “pusher” opponent, Player
B made an incredible 41 Unforced Errors in only 16 games. Believing
that his groundstrokes were the strength of his game, he continued to
hammer away, no matter how many balls came back and how many errors he
made. Player A, on the other hand balanced his incredible
baseline consistency with over 30 net approaches—better than 2 net
approaches a game! And he won over 60%. This combination
proved tactically and psychologically lethal. Just when Player B was
sick to death of rallying, there was the “Pusher” at the net hitting a
winning volley, or drawing another groundstroke passing shot error.
Player A intuitively understood how to get the most
out of his abilities and found a way to hit enough winners to make his
overall numbers positive for the match. His play was no fluke—he
also led the club’s league team to a USTA national 4.0 championship
match. What could have Player B done differently? He
went to the net 20 times and won over half of them, but that was still
fewer net appearances than the alleged “pusher” Player A. Given
his unforced errors in the backcourt, he might have swung the odds in his
favor, but the bottom line, he just wasn’t that comfortable there.
He didn’t have a plan “B”—or put another way,
an alternative ability to play positive points. He just liked to
serve hard and try to hit the ball hard off the ground, and he stuck with
what he was comfortable with—and lost badly. Let’s look at a match at a slightly higher level a
5.0 club final. This match was also a classic confrontation in
style. A pure serve and volleyer versus a pure power baseliner. Player A, the baseliner, won 7-5, 6-3, with an average Aggressive Margin
of +10 /set. Player B, the serve and volleyer was +1.5/set In this case both players had well-developed styles,
and both players were able to play positive tennis. But the player
who was able to play higher level statistical tennis won. In the
exchanges at the net, Player A’s returns and passing shots were too good
for Player B’s volleys. And on his own serve Player A kept Player
B in the backcourt and forced many errors. Here’s what the numbers show:
Obviously Player A dominated from the backcourt. He
was +20 for the match from the baseline, versus a whopping –14 for
Player B. Player B had some success with his serve finishing at +8
and was +9 at the net, but this barely overcame his unforced baseline
errors. He went to net 65 times in the match, but won barely 50% of
the points. Player A was able to hit an amazing 22 passing shot
winners, so that was the story. Strength versus strength, in this
particular match up, the baseliner did better in the exchanges than the
serve and volleyer. As we saw in our analysis of pro matches, the player
with the higher Aggressive Margin wins virtually every match. It’s
not just the “big” points, it’s the total number of points that
count. Good players recognize this, consciously or not, and find ways to
win points consistently over the course of a match.
It’s one thing to play percentage tennis in your
own style and lose to a better player, it’s another thing to just lose
by giving the match away trying shots that are beyond your capability. Even in this case, though I did feel that Player B missed one opportunity.
Player A was clearly not comfortable at the net. Had Player A hit a
series of drop shots on Player A’s service games—he could have
actually done it on either of his serves--would have that have changed the
nature of the exchanges? It was really the only other possible
option—but that’s the point—could he have found a way to shift the
stats in his favor? Note that for Player A, his Aggressive Margin of
+10/Set is a borderline pro level number. That I think is one of the
inspiring things about the Aggressive Margin. We may not be able to
serve at the speed of Pete Sampras or hit forehands like Andre Agassi, but
whatever our level we can learn to play the percentages and generate
positive Aggressive Margins, just like the pros, and sometimes equaling or
even exceeding their margins. Although it would be great to compile a data base of
a few hundred matches at all levels, here are some representative matches
I’ve charted over the last few years, (including the one’s discussed
above) mostly tournament finals or semifinals that give an indication of
the level of play of the winning players in various divisions. Although there is a wide range in the Aggressive
Margin, it’s interesting that in virtually every match I’ve charted
involving successful players at a given level, the Aggressive Margin is
positive, even at the 4.0 level (admittedly for a national caliber 4.0
player.) Again, what we find is that at any given pace of the
exchanges, positive statistical tennis is the key to victory. The
best 4.0s, 4.5s, 5.0s, etc will win more points than they lose by playing
correct patterns and making high percentage shot execution.
The message seems obvious. Developing the
ability to win points through positive shot making is the key to
winning—and making sure you’re positive shot making exceeds your
unforced errors. As I mentioned in a previous article, I once charted
a match for a girl on my high school team, which she won easily in
straight sets. She was happy and thought she had played well. But the numbers showed otherwise.
My girl actually had an Aggressive
Margin of -17 for the match. She won only because the other girl was
–35! Think about it. At 4 points per game that’s over 8
games in 2 sets that the girl just handed my player. In the next articles more on charting junior matches
and what that shows, as well as how to chart your own matches and develop
your own player profile.
Your comments are welcome. Let us know what you think about John Yandell's article by emailing us here at TennisONE.
For more information on John Yandell's Advanced Tennis Research Project, click here. |
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